< back

Strangers on a Train

Fall 2014 - Spring 2015 _ Tom DiSanto

Through mere power of implication, a more unified understanding happens when the series is shown all together, and more power is generated in these “in-between” states of the frames. Inspired by this fragmented nature of filmic montage, and with reference to Eisenstein’s methods of montage, the stroke rehabilitation center uses concepts of path, sequence, fragmentation, parallax, and framing as a form of perception and information-gathering.

Diagram of building program